So you had a really good story at your hands...there should have been a) plenty of action and b) plenty of nat oppurtunitites....with that being said.....it's my personal preferance to get nat pops with tight or even ultra-tight shots...it just looks cool and helps with variation in your shooting...and it really helps with shooting the sequence. Tight shot of hammer or crow bar hitting wall...didn't see it. Why?
Your interviews.....change it up. All kinda tight....where's the wide shot interview? Again helps with variation....once you recognize this your pieces won't be the same...
The story died in the middle...you went from action to alot of inaction...back to action...maybe thats not all your fault but keep in mind the continuity of the story and keep it up throughout the piece...even I find it hard after all this time but thats where working and talking with your reporter helps.
Overall not bad but this could have been much better...learn from the advice here for next time.
