Ozkar,
Hey man thanks once again for the critique. You are correct about being in a starters market, both the reporter and myself are first timers. This story was really rushed, and we didn't know what angle we were going for going into it
For this story I was trying to keep sequencing in mind, and despite trying to do this every time I shoot, it has been really difficult for me to pull off successfully.
Here was my thinking when shooting this:
In this case I tried to get sequences with the wide and tight shot of the building, the track mentions the gun store owner, so I show him, varying my shots between wides, mediums and tights as we interview. The track mentions "six canisters of gunpower, shotgun shells, and a magazine for a semiautomatic pistol" ...I have these shots in my raw footage but thought the tilt shot looked better, was less rushed, and kind of included most of the products she is mentioning anyways. When she says "What is smokeless powder" I also made sure to get a wide of the powder, then a close up...
A medium and a close up again for the soldiers, intentionally not showing their face so the audience doesn't confuse them with Abdo.
I was also thinking I needed to shoot some video of security cameras and mirrors, so the video could kind of match the track when she mentions him.
I guess what would be the most helpful is if you could answer these basic questions for me.....
What is the best way to make sure you both get what you want out of the story when you're working with your reporter?
What exactly makes something a sequence, Is it a wide, medium, tight? Or would my medium shot then close ups be considered sequences??
Do you always have to match the video exactly to the track?
I know that was a long response but yeah man I'm trying to get the best at what I do. I think this site is really helping me with that. Thanks again for your help.