Genlock vs. Phase

[Shootblue]

Our studio cameras clearly have a phase problem...one is ok, the other is green. For my curiosity, how would these be adjusted back to where they are matched better? I am aware that this relates to the Sch and whatnot, but for instance how would I compare this to the base reference signal on a scope? Quick tutorial anyone?

[Icarus112277]

Easy way is to half dissolve (vertical) between two cameras and clock the phase accordingly

The longer way is to look at the program output of your swicher as seen on a scope. Check the sub and horizontal settings and adjust as needed until they match house black.

[Tippster]

You can also put out bars, then open the camera and tweak the y/c delay (small pot on one of the boards, I think) until the bursts line up appropriately on the vectorscope.

Very quick fix and probably not the "right" way to do it, but it should do in a pinch. This is how we match up two camera liveshots on location...